When my oldest son moved out, we joked that the beams of the house groaned with relief as the weight of his personal library was moved to his new apartment. Not for long, however, as my library collections continued to grow. There is a rather substantial maritime collection on the porch ( about 300 titles). And another collection in my back office. Not having worked for years in anthropology, though, a few years ago, I disposed of most of the anthropological collections that no longer engaged my attention or interests. Even so, it’s a lot of books.
Every collection needs a certain amount of weeding once in a while. But I’m careful in what I send to the used book dealers. The reason why the maritime collection is so large is that the titles can be hard to find, and there is nothing worse than needing the lines of the Ida G Wanderlust of 1903 for a portrait and finding that you disposed of the book it was in. Of course, good luck finding a replacement when you need it. So on the porch, that and others sit. And the house groans with the weight.
But somewhere in every collection, there is a little shelf or worn books you’ve found reason to use most often. The small collection pictured above is in that class. Some are very general reference books on carving that I recommend to others, and then there are some specific books on techniques and carvers that I’ve found most helpful to have close at hand. Books on eagle carving, lettering, and chip carving. Then there are favorite authors: Chris Pie, Dick Onians, Wayne Barton, and Graham Bull. All of these have been poured over repeatedly.
These are among the titles and authors I advise students to read. I’d even go so far as to fling down the gauntlet and challenge the serious beginner to master a tenth of what is contained in them. Without apprenticeships, books remain your best resource for learning. No, YouTube videos are great, but your library is still your best friend if you really need to dive deep.


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