Two of the best artists I’ve known were fluid on the choice of media. Given the correct tools and approach, any material could yield to the creative genius. Both of them loved a challenge.
Warburton, my Baltimore mentor, gleefully recounted how he had worked with an ice sculptor on an elaborate piece for a wedding. He’d never worked with ice or chainsaws before. Warburton claimed it was oddly liberating. It encouraged some interesting, fun pieces in the snow with his grandchildren. The media’s impermanence was “captivating” to someone who worked in wood, silver, and gold.
Louis Charpentier was indifferent to media type also. Starting as a child on a farm in Quebec, his first creations had been in scrap wood, and the subjects had been the pets and barnyard animals on the farm. By the time he was the design chief of a plastics firm, he had carved everything from steel to balsa. But his favored material in later years was common styrofoam.
I once intensely offended a student by carving common pine; it should be quartersawn and perfect wood. But eloquent work is less about the media used and more about the artist. Don’t let prejudice blind you.
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