Practice

I almost put on my hakama* without putting on my obi. The arthritis is bad enough to force me to do standing kata, but after two months, it feels great to be practicing – remember the Katana is long, but the ceiling low. Sword cuts in the ceiling are not allowed. Must not upset she who is not to be trifled with.

Covid-19 knocked me out for only a week. I had a mild case. But the recovery has been long, very long – weeks of low energy levels and fatigue.

Today though, I cleared the living room and slowly moved through three sets of standing seitei Iaido. I was tired, but not entirely out of breath. Eventually, the dojo will reopen, and I don’t want to be the one in the corner panting because the long layoff from practice has sapped my strength, although it has. 

The problem with long periods of no practice is that you think you are doing great, but then realize that your technique has atrophied. Like other forms of art, there is a fugitive component that you struggle to keep at bay through regular practice. I’ve had similar issues when I’ve stopped carving for periods. “how the heck did I do that?” Because so much of both those arts are tied to muscle memory, you can lose it if you don’t use it. 

Sometimes it’s interesting as you work back into things. You get little bursts of “beginners mind,” and you can use those to restore freshness to your work. You have an opportunity to avoid old harmful patterns – if you are careful.

Notes for those who don’t do Iai:

The hakama is a sort of divided pantaloon that was a typical style of dress in feudal Japan- being that Iaido is Japanese swordsmanship we dress in that style.

An Obi is a broad, very long belt that we wrap around our waist beneath our hakama ( but over our short jacket called a Keikogi).

Kata is a pattern of practice. In the case of Iaido, a pattern of sword cuts and movements that mirror a combat situation. Iaido gets practiced solo.

The Katana is the long Japanese sword used by the Samurai. It takes years of dedicated practice to master its use.

Seitei Iaido is one form of Iaido. In my dojo, we also practice a type called Muso Jikiden Iaido – another school of training. 

dojo is a place where you learn and practice Japanese martial arts.

Contact me is you want to know more.

Acorns to Oaks

We all want to be instant experts. One of my sensei describes this in terms of the training montages that are standard fare in martial arts movies; the neophyte progresses from clumsy beginner to skilled pro in thirty seconds of cinematic snapshots. The rest of us suffer from dissatisfaction and disappointment from being less than optimal for much longer.
Not every time, but more frequently than I’d like, I get confronted with the unique. And, all of a sudden I am a neophyte once more. Incorporating new materials, using new types of paints, complex constructions, and most especially very small parts that need fabrication all create confrontations with the problematic.

When I was doing banners, quarter boards, transoms, and the odd eagle, the problems were mostly mechanical – design layout, curvature to fit, and calculating shadows in carved lettering.

Boat and ship portraits offer many more issues. I am presenting a practice piece of the very first boat portrait I ever did. Remember, practice pieces are exactly like the rough sketches you do of a subject before you paint – the practice is to work out the approach, shapes, and rendering before you start the actual work. Being that carving is subtractive, this saves you from ruining expensive wood and wasting time.

Over the years, I’ve done many portraits. I’ve borrowed techniques from model makers, painters, and illustrators. I’ve also had to develop some tricks of my own. The single most important thing will seem trite: challenge is what differentiates those who are growing from those who are standing still intellectually and as artists.

There are about two years between my first practice piece and my rendering of a cat boat for a mast hoop portrait. Principal carving is complete, finishing the coaming and adding some details are all that’s left before fitting into the hoop

Principal carving is complete, finishing the coaming and adding some details are all that's left before fitting into the hoop
Principal carving is complete, finishing the coaming and adding some details are all that’s left before fitting into the hoop.

Slow

Almost every week Sensei says this in practice: “It does not matter how slowly you go as long as you do not stop.” — Confucius
Studied deliberation seems harder than going fast.
But, at this time I’m under little economic compulsion to produce in haste, and going slow allows me time to master what I previously left unmastered. Which I guess is what both Confucius and Sensei meant.

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