By my long-standing tradition, January is a month for working with the design book first and the workshop second. The book doesn’t look much like a designer’s book of sketches. Over the past few years, it’s become page upon page of post-it notes placed on the book’s blank pages throughout the year. As an idea or concept is suggested to me or pops up, the note gets put into the book for later consideration.
As concepts develop, notes get more elaborate – so much carving or finishing time or the cost of materials. Eighty percent of the ideas never go anywhere for one reason or another. Some I can’t develop at a reasonable production ratio of time, materials, and profit. Others have practical production problems that are waiting for a solution to be developed.
some notes will sit in the book for a few years, some forever. but I rarely discard any. Instead, I’ll go back over the older stuff periodically as a source of inspiration or to reinvestigate my thought processes on ideas.
At some point, an idea jells enough for a prototype. So some prototypes wind up in the project box waiting for further developments while I move on to other things. Some will eventually go to the scrap box, too.
Another part of this process is the project woodpile. The project woodpile is an undercover collection of assorted wood pieces that I’ve put aside specifically because something is appealing in them, and I want to use them in something. This is a boxed and shelved collection outside of my carving shop under cover. I root around in the contents frequently, looking for select pieces of Cherry, ash, oak, and other woods.
It’s a messy sort of creative process, I admit it. But from this constellation of sources, I eventually cook up ideas, prototypes, and projects. I’m under no pressure to create any specific amount of work in January, to follow this creative process, as sloppy as it may seem.
Since January is my most hated month, using it creatively is an essential strategy to avoid the winter blues.