Hell Hath No Fury…

Don’t do that again.” Suzy’s boyfriend kicked at the Gray Menace. “whatcha gonna do? It’s just a cat?” “It’s not what I’m going to do; it’s all about what he’s going to.” My girlfriend laughed at a joke Suzy, the better half of Suzy and the Clown, told outside on the patio.
“So, what’s he going to do clean my clock?” At that moment, the Gray Menace launched his counterattack. Most cats attack foot or leg; my cat believed in terminal solutions and threw himself at the Clown’s face. The Clown lurched, avoiding a bit nose only by sacrificing a hand—the Gray Menace bit into the webbing between the thumb and first finger. Grabbing the opposing wrist, I used a wristlock to maneuver the Clown through the door. The Clown landed face down on the stones.
The women looked up. Suzy seeing beer and blood all over her boyfriend, gave him a look that shouted, “I just can’t take you anywhere!”

Fury, forgotten the Gray Menace, walked over to Suzy using Clown as a red carpet. Purring, he rubbed against her leg. Picking him up in an intense hug, she said, ” What a cutie, you’re just a love!”

O’Dark Thirty

Was it ” Mr. wakey wakey” on his rounds for watchstanders? No. 

There were no vibrations of a ship, always alive. Reaching out, I don’t find wooden ceiling planks. I’m not aboard Psyche; I’d feel the movement of water through the hull.

 I know when and where I’m not. It’s not Navy, and it’s not Maine. It’s still O’dark thirty, that’s why I thought back to waking for the mid-watch. Everyone’s favorite, midnight till four AM. There’s a crack of light from the hall outside; I’m home. The blackout curtains my wife insists on creating a bedroom so deep in darkness that its disorienting.

The trouble waking isn’t new. It’s been a feature of my life on and off since college. An assignment in American Literature to read Slaughterhouse Five initiated it. Like Billy Pilgrim, I seem to float between critical points in life. The waking uncertainty went away in grad school. But it had resurfaced with the curtains.

It’s not so much that I’d fear waking in those two times or places. It’s the uncertainty of where else my soul might range that scares me.

Awaken

In terms that are current to our times, many of my peers were “woke.” Like now, you could be “woke” to one group and un-cool to another that considered themselves to be “woke.” Being that it’s a mental state of cultural and political awareness, you can harbor pockets of very un-woken thought and behavior. Then, as well as now, the most transcendentally aware of the “woken” ones will deny this. Perfection is a hard act. But denial is a human trait that is hard to eradicate.

Back then – the 1960s through ’70’s -being politically and socially “woke” in one sense did not necessarily mean that you were enlightened in others. Probably the best-known example of this for Beats, Folkies, and Hippies I knew was un-woke behavior towards women. It didn’t seem to sink in that being active in the Civil Rights movement while treating your spouse as a domestic slave was hypocrisy. Even when that person self-emancipated and left you, the behavior continued. “Hey, sweetie, get us some more beer!”

Then, as now, it was easier to declare that anyone not as apparently “woke” as you couldn’t have valuable perspectives. As a species, we seem to reinvent the cure to universal ills generationally. Just too easy, I say.

It may be as Ecclesiastes states that: 

What has been will be again,

 what has been done will be done again;

 there is nothing new under the sun.

International Talk Like A Pirate Day

This is it, folks! Your opportunity to talk like a pirate – International Talk Like A Pirate Day, September 19th! If you need tuition beyond the basic ARRRR, or aye matey, you’d “be smart as paint” to hustle over to Netflix. Watch the actor Robert Newton use Dorset and Cornish English to simulate what many believe may have been the basis for at least some pirate patois. Treasure Island movies are a great place to start.

It’s important to point out that the actual pirates of the “Golden Age of Piracy” were diverse. There were Europeans, Native Americans, Asians, Pacific Islanders, Arabs, and Africans. Anyone who could handle a belaying pin, lay a gun, and drink Kill Devil Rum. Oh, and have a larcenous spirit. 

Real pirate talk probably was a linguistic wonderland of international four-letter words, descriptive phrases, and nasty things to tell someone to do.

Of course, I have a personal stake in all this having an ancestor hung for Piracy in the Caribbean, and others who sailed with Morgan to raid Panama – Gentleman of Fortune they were!

Mind you, “Porch Pirates” stealing Amazon packages aren’t dues-paying members of the Brethren of the Coast. They are scabs!

Roll

I was standing watching the waves roll in at Rockport. Last night had been stormy, and the waves were long rollers sweeping in from the Atlantic. From where I stood, there was no land between Europe and me. That much water is both exciting and daunting.
For me, fall starts with the shift of prevailing winds out of the soft southwesterly of summer into more unsettled patterns.
It’s a season of change. For the landlocked, the features they notice most are the cooler evenings and leaves turning. But I’d maintain that the grey waters, persistent lines of rolling waves, and the wet spume are better markers.
Now is the best time to walk the tide line. Following the storm, tides bring in kelp, driftwood, sea glass, and old wreckage bits. All are on display. The worn bits of sea glass provide proof that given time, the sea will wear everything down.
Find a warm berth in some shoreside cafe, get a mug of coffee, and watch the inevitable.

Labor Day

If you are “from away,” you may have driven past a little ritual on route 95 near the Maine and New Hampshire border. At the end of the Labor Day holiday, some local folks hang out banners over the highway’s last stretch into New Hampshire. Some are polite expressions “see you again next year.” some are less polite and express the desire that you permanently exit to New York or Massachusetts. There are mixed feelings about the dependence on tourist dollars. The income is needed, but the desire not to have a way of life and the environment swamped by the annual influx causes some conflicting emotions.
While living along the Maine coast, I always had an ambivalence to the whole thing. First, I was from New York, the ultimate “from away” location, but I was “married in” due to my wife and her family. They’d been there since before the first Census. Nobody was going to call the Capn’s son in law a Summer Complaint. I also worked the same jobs everyone else did and did not have the money and leisure that many visitors had. All this got complicated by the fact that my natural New York accent was fading over the years in New England, and I was picking up and using local English. I was not a native, but I was not a New Yorker anymore, either.
What happened one day at the boatyard where I worked illustrates the issue.
Spinney and the yard crew were especially amused when folks from New York City would take me for a local. Spinney jokingly suggested that one Brooklynite ask me how locals pronounced items. If my looks could have killed, Spinney would have dropped on the spot. But I dutifully rendered the local pronunciation of things in my most inauthentic Maine accent. I felt like a performing dog. Off to one side, the crew struggled to keep straight faces. When done, I tried to explain to them that I was from Manhattan. They laughed so hard they turned red. Afterward, I promised Spinney that I’d get even.
Spinney turned to me and said: “now you know how we all feel when they ask us how lobster is pronounced, or how we say Bar Harbor. We’ve done you a big favor Wes…you don’t ask for “kaufee” anymore first thing in the morning.”
OK, I guess he had a point.

The Bevel Gauge

Before starting full-time studies at Boston University, I worked various jobs to pay my part-time tuition at the Metropolitan College. Some of that work was as a personal attendant for older people. There was the doctor who thought he was still in practice in Dorchester and the former wool shipping magnate who dragged me to all the finest private clubs in the Boston area, and at last, there was the ship carpenter.
John was the son of a ship carpenter who had worked in the East Boston shipyard of Donald McKay. John’s dad has worked on many of Mckay’s clipper ships. John himself had been a carpenter in several New England shipyards and was proudest of the work he had done during World War II in the South Portland shipyards building Liberty ships for the war effort.

This job did not pay me as well as babysitting the well to do. John’s brother controlled the purse strings and held them tightly closed for his brother’s care. His brother and nephew Paul where all the family John had, and where John was garrulous and generous, the brother was tightlipped and would play games with pay if you didn’t watch. But he paid in cash each week, and that made the tuition bill disappear all that much faster.
John was a motor mouth, but on topics he knew, ship carpentry, his stories were fascinating. He’d been his father’s apprentice late in the old man’s life and had learned old school methods alongside newer ones. His love in later years had been finish carpentry, and once a month or so, John would have the nephew and I dig out the old tool chest that had been his father’s and tell us about each tool and the tricks of how to use them. He maintained that the marine carpenter’s most needed tool was the bevel gauge. The bevel gauge is a long flat metal piece with a slot in the middle. Into the slot fits a bolt and a closure nut on a long brass and hardwood handle. Adjusting the nut and changing the sliding metal piece’s angle allows you to approximate almost any angle you need. Being that there were so many odd angles in marine cabinetwork, John maintained that you could not do without it. ” ninety degrees? Those are hard to find on a boat.”

The nephew, Paul, was a young man in search of a life. His father wanted him in finance with him. But he loved to hear the stories John told about shipyard work and also loved to quiz me about my interest in history and anthropology. His preferred companions were his uncle John and me. We could make an afternoon fly by swapping tales. By four-thirty in the afternoon, I’d leave to go home, feed my cat, and get ready for evening classes.
It was a good year. I had time to study on the job, good companionship, and cash every Friday. It couldn’t last. One day I showed up to find that John had been taken to the hospital. Two weeks later, Paul called to tell me that John had died, and the ceremonies had been family only. Then he told me that his father was planning on selling the tool chest and all the contents. He hoped to “recoup” some of the expenses of the funeral. I thought it was sad that a family heirloom chest of tools dating to the 1840s was going to go to auction, rather than stay in the family.
Paul asked me: ” Dad has no idea of what’s in the chest, and I want something to remember my uncle by. If I took just one tool, which do you think it should be?”
We discussed it. In the chest were a set of well-crafted saws, chisels, and a number of handmade wooden planes. But when we turned all the options over and over, we realized that it had to be John’s well-used bevel gauge, the indispensable tool.
The next semester I began to study full time as an anthropology major at Boston University. I heard nothing further from John’s brother or from his nephew.
Years later, though, I read an article in one of the Boston paper’s Sunday magazines; in the article, there was a photo of John’s nephew in his law office. In a case prominently set on the wall was John’s bevel gauge. The caption read: “My uncle’s bevel gauge is a reminder to me that not everything in life is square or plumb; nor does it need to be.”
Well, it’s true. We are a society that prefers things square, plumb and regular; just so in their place. But life isn’t that neat, and that’s where a sort of mental version of the bevel gauge comes in handy.

Bright, Hot Lights

The guitarist spent time warming up while I prepared my video and audio recording equipment. Finally, a chord rang out. ” Your high E is just a bit sharp,” I said, not thinking for a moment that I had not performed for about fifty years. She grinned and checked that string; ‘just a bit sharp,” she agreed.
We were recording in the old Meeting House. They designed the buildings as centers for religion and to be the center of Town government – in those days, in much of New England, religion and Town government were the same. Being that a significant part of the Town population might squeeze in, they designed for good acoustics: no microphones, no amplifiers, and no speakers in those days. These days it’s used mostly for weddings and performances.
Acoustics aside, air currents, hot lights, and temperature differences create problems. The lower end of your guitar lives in one temperature zone, and the tuning heads at the top of the neck live in another. The lower tension, more heavily wound bass E, A, and D strings seem less affected. The treble strings are under more strain and are thinner – they seem to be the source of most issues.
For a while, I am back in the music room of Rienzi’s Coffehouse in the Village. The wound G string rather than breaking on my classical guitar always let’s go gradually as its outer wrapping unwinds. I am hurriedly placing a new string and stretching it out as carefully as I can – new strings have lots of excess stretch, and will go out of tune at the worst possible moment; in the middle of a song. The B and high E both need replacement, but that will have to wait until I buy new strings. Being that I am pretty busy at the coffeehouses this spring, that means almost every week.
When I get to my gig at the Dragon’s Den, I can almost feel the treble strings go out of tune as I step into the hot lights that shine down on the performer’s little stage. Our “green room” for preparation is a barely heated cubby with a draft. You know that any tuning you do here is a waste of time in February.
I am back in 2020, the guitarist and I discuss how capo’s change tuning and how you have to retune after placing it and after taking it off. Capo’s are little adjustable bars that fit over your guitar’s neck. They help change the key while staying in a fingering style you prefer. but there is a cost to everything. Your tuning ican be affected. Even more so if the neck of the guitar is not absolutely straight.
It is pleasant to just for a moment, step back, and realize that some things have not yielded to either technology or years.

Facebook Endings

Endings can be full of angst or be quiet fadeaways. The angst-ridden ones are the ones that leave the sharpest of memory. Sometimes it’s the quiet ones that get you awake at four AM with tears in your eyes because you had no chance to say goodbye.
Yelling out your distaste for someone has a much more final feel to it than two people just gradually drifting apart, never noticing when the fade is so complete that you have trouble calling their face to mind.
As I said, it just fades away, until one morning you awake with tears in your eyes because that back part of your mind never really went along with the front of your mind. That one section refused to forget. You get up to stumble to the computer and enter the name in a search; about a hundred possibles pop up. You refine the search on Facebook, and there she is. Like you, she is fifty years older, happily married, mother, and grandmother. The lines of happiness are etched on the features that you almost remember. In the profile photo, she stands next to her husband, who you also almost recognize.
You pause over the tab to send a friend request, think about it, and then move to Messenger.
In the end, you smile and stumble back to bed, happy that things turned out well. Not a bad end at all.

Membership

Some types of membership are purchased. Your “wholesale” club is the best example I can think off the top of my head. Some are by invitation. You have to be invited to join many clubs; you can’t just walk up to the door, knock and hand them a check. But clearly, those lofty institutions that are by invitation only are also restrictive by income: initiation fees, annual fees, or clubhouse fees. Can’t pay the bill, don’t accept the invitation to join.
As a starving undergrad, I spent an inordinate time in some of the most exclusive clubs in the Boston area; and I do not mean as a busboy or waiter.

I found that the easiest way to help pay my tuition at Boston University’s evening Metropolitan College was to work days as a personal attendant to older “gentlemen,” Their families wanted them lightly supervised while going to the club. I quietly stood by if they needed assistance, or to pour them discreetly into the cab after they had overindulged. For this, I was not loved nor respected by my charges. I sat in the back, ignored. I was frequently vilified and sometimes left behind.
Staff at private clubs are used to people acting in the role of an unappreciated aide de camp. Frequently escorted to private dining rooms to eat with others like myself, the chef seemed pleased to serve us. It was through this means that I was introduced to many foods that I could not afford to buy. Hell, at the sort of establishment I could afford, they’d never have heard of the entrees.
The staff of many of the clubs expected to be teated in a patronizing manner, I watched as many of them were openly ignored and disrespected. A favored technique that I later witnessed frequently at the University of Pennsylvania was the “cut.” Properly executed, the cutter passes the cuttee while looking slightly off to the right and above the shoulder. The eyes barely miss the cuttee’s face. It’s disrespectful and meant to imply that you are beneath notice.

I did this type of work for two years. I gained an insight into caste and class that I did not have previously. and came to agree wholeheartedly with Groucho Marx’s comment that if invited, I would refuse “…to join any club that would have me as a member.”