When I emerged from the egg and arrived in Greenwich Village as a newly minted folksinger, the streets were filled with juvenile Joan Baez wannabees and their male kindred. It was Childe ballad here and soulful lament there on the part of the young women. The earnest young men thought they could get along with old Limelighters, Kingston Trio, and the like. Each train in from Long Island and each subway car from Uptown held a new draft.
You didn’t need Delphic wisdom to know that most of the trains heading back were equally filled. The new drafts soon realized their peers were doing the same material. All the women with ironed straight long hair like Baez and the earnest young men in chambray shirts soon returned to the burbs and the Bronx, casualties of the mass production of vinyl long-play albums by artists who’d commercialized a specific brand of folk music years before.
I survived out of luck. At that moment, there were not tons of “bluesers” in the Village, and my style was raw enough that I eeked out an existence in the second and third-tier coffeehouses. I was thrilled to do so and didn’t care that I was on the lowest wrung in the Village. Once you were a regular habitue, the real world of life in the Village opened for you. It was a round-robin of singing and playing sessions that went on all night and poetry readings in friends’ apartments. There were potluck suppers, impromptu music lessons, long conversations on Zen and the art of guitar, and plots to flee the East Coast for the raptures of LA or San Francisco.
So why leave all this? Well, the Village was always a big pot of Stone Soup. New additions are continually being made. And then, some of us would leave for other venues, experiences, and lifestyles. We graduated.
I have not returned for over a generation, but I’m sure the pot is still churning somewhere. Radically different because the additions have changed, but still a sort of Bootcamp for creativity.
It was a great place to be from.