We so often admire the complex and then seek out and appreciate the simple. The examples I have chosen to show are small carvings from post-war occupied Japan. Both feature a popular theme in Japanese art; Mount Fuji.
The simplicity of the creative technique is central here. The entire subject gets rendered with no more than the bare required cuts, and for that matter, the bare number of tools. Although the artist makes multiple cuts, the amount is minimal. We can also see this at work in brush calligraphy techniques where the subject is composed and executed in one continuous stroke.
To be effective in this requires two things: a thorough knowledge of the capabilities of your tools; and mastery of your tools. As one of my senseis says, “and that’s all there is to it.”
One mentor of mine once knocked out about a foot and a half of fancy molding out of what was scrap wood. He cut all the cuts needed from one tool, moved on to the next, and so on in succession—the complexity of the finished piece derived from the repetitive simple cuts he made in the correct sequence.
Well, I don’t know about you, but I can tell you that I am still working on this, and probably will be until it’s time to put away my tools. Like so many creative endeavors mastering the complex depends on learning the very basic.